Frabjous day
Frabjous day is a live-coding performance using a new, browser-based live-coding environment, gibberwocky, co-developed by the performer with Dr. Graham Wakefi e ld. gibberwocky fea tures deepintegration with Ableton Live, possessing a variety of affordances for both musical sequencing and rapidly creating / assigning audio-rate modulation graphs. Like Gibber, another browser-based envi ronment developed by the performer, gibberwocky places emphasis on dynamic annotations to source code that reveal the state of underlying algorithms. A new addition found only in gibberwocky isthe use of animated sparklines to visually depict synthesis modulations over time. gibberwocky also makes heavy use of a new JavaScript synthesis library, genish.js, to generate musical patterns via digital signal processing techniques.
@inproceedings{2017_EA_75,
abstract = {Frabjous day is a live-coding performance using a new, browser-based live-coding environment, gibberwocky, co-developed by the performer with Dr. Graham Wakefi e ld. gibberwocky fea tures deepintegration with Ableton Live, possessing a variety of affordances for both musical sequencing and rapidly creating / assigning audio-rate modulation graphs. Like Gibber, another browser-based envi ronment developed by the performer, gibberwocky places emphasis on dynamic annotations to source code that reveal the state of underlying algorithms. A new addition found only in gibberwocky isthe use of animated sparklines to visually depict synthesis modulations over time. gibberwocky also makes heavy use of a new JavaScript synthesis library, genish.js, to generate musical patterns via digital signal processing techniques.},
address = {London, United Kingdom},
author = {Roberts, Charlie},
booktitle = {Proceedings of the International Web Audio Conference},
editor = {Thalmann, Florian and Ewert, Sebastian},
month = {August},
pages = {},
publisher = {Queen Mary University of London},
series = {WAC '17},
title = {Frabjous day},
year = {2017},
ISSN = {2663-5844}
}